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全20集
肖顺尧 , 贾青 , 胡军 , 何杜娟 , 袁家欢 , 王大奇 , 蒋方婷 , 郑家彬 , 钟林煜
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完结
白敬亭,吴倩,倪大红,李建义,杨新鸣,吴冕,高鑫,谢兰,杨青
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全65集
吴孟达,赵雅芝,杨盼盼,元华,韩马利,程可为,刘雅丽,夏雨,汪明荃,梁珊,苏杏璇,郑少秋,廖静妮,黄韵材,吕有慧,廖安丽,陈玉莲,陈敏儿,余绮霞,庄文清
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42集全
朱泳腾,樊少皇,于承惠,徐少强,丁勇岱,魏春光,李欣冉,韩悦
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全集
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已完结
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更新至第157集
史克郎君 , 陆敏悦 , 关帅 , 宴宁 , 张妮 , 冷泉夜月 , 安志 , 钟巍
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全15集
艾拉·菲舍尔,朗·霍华德,迈克尔·塞拉,威尔·阿奈特,克里斯汀·韦格,杰森·贝特曼,朱迪·格雷尔,泰瑞·克鲁斯,杰弗里·塔伯,乔什·特兰克,托尼·海尔,约翰·卡拉辛斯基,大卫·克罗斯,阿莉雅·肖卡特,达娜·鲍威尔,劳伦·维德曼,卡尔·韦瑟斯,克里斯·迪亚曼托普洛斯,杰西卡·沃尔特,亚当·德维尼,奥利维亚·泰勒·达德利,金南宫,扎克·伍兹,帕维什·齐纳,里兹万·曼吉,波西亚·德·罗西,本·斯蒂勒,肯·竹本,托马斯·罗宾逊,乔什·斯坦伯,贝茜·菲利普斯,艾伦·布卢门菲尔德,丽莎·明奈利,丹·哈萌
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第41-68集完结
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更新第05集
Panupat Tunyanitikul , Mark Kkittitat , Ohm Pasawit , Van Wong Sakorn , Big Thatchai
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全集
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全集
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HD中字
朗·普尔曼,维尼·琼斯,马尔科姆·麦克道威尔,尼可拉斯·博朗,莱文·兰宾,伊利斯·莱韦斯克,丹尼尔·布兰,勒诺拉·克里奇洛,乔丽·卡特,布鲁斯·麦克吉尔,马克·史密斯
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全66集
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HD中字
朱鉴然,涂冰,吴品洁,李德龙,冯晓峰,林威,朱兆丰,薛亦伦,马东延,于洪亮
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
《造物的奇迹》是Hanns Walter Kornblum于1925 年在其它 导演,由Margarete Schön,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl等出演,剧中使用其它对白,是一部科幻片电影。In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.